Moonwalking Into the Future (2018)

“…spaced out curiosities and playful pop capriciousness on his new album. Venturesome and weirdly atmospheric. Reminding me of Eels intriguing composition excellence.” — Turn Up the Volume

Am I Right or Am I Right (2012)

“…nicked & razor-sharp. Fulton Lights continues to find new edges…” — Said the Gramophone

“Andrew Spencer Goldman, aka Fulton Lights, continues to amaze.  ...'A Minor Happenstance as Things Go' takes us on a trip back to Byrne and Eno, strange rhythms and electronic interruptions spewing its contents all across the funk ballad--all the while maintaining the same understanding of pop in its many splendid forms." --SSG Music 

3 Songs EP (2010)

“A dazzling, churning, all-encompassing piece of indie-pop." - McSweeney’s (Recommends)

Fulton Lights' song of a million launchings and crisscrossings, motors revving on dreams. "Staring out the window / I'm thinking about my days," it begins, like the worst kind of dull song; yet the banality is up-ended, shown to be banal, at least next to the song's riotous chug and booming horns. A man sits in the passenger seat, head leaning on the window, trading talk of tomorrows; but in his heart is the meteoric Next next next next next next, like the snick of white lines under tires.” — Said the Gramophone (Top 100 of 2010)

Healing Waters EP (2009)

"Imagine if Modest Mouse's Isaac Brock produced a few songs on Beck’s Sea Change and then Tom Waits and Brian Eno stepped in to add some texture—and it all worked. Healing Waters is a six-song landscape of ambience, hollow spaces, and ghostly vocals...." --The Onion AV Club

"The sound of something ripping through its old skin and taking a deep, deep breath." --Said the Gramophone

The Way We Ride (2008)

“…Gorgeous, furious, funky…” — Said the Gramophone

"...One realizes that the unseated sounds of suspicion and violence can sound the same as uninhibited revelry, and are here more deeply embedded in the sinewy recesses of Fulton Lights’ once pristine sound. Goldman didn’t allow himself to get in the way of a process that is often essentially messy. In surrendering himself to something unbolted he’s produced something far more revelatory than his debut..."--Coke Machine Glow

“…Endless moments of heart…” — HeroHill

Fulton Lights (2007)

"This darkly beautiful waking dream, crafted with deft orchestration and soporific beats by Brooklyn-based musician Andrew Spencer Goldman, exists permanently in the witching hour, when you can close your eyes and somehow manage to feel alone in a city of millions."--AM New York

"...A carefully pulsing electronic folk album...Beautiful music for aghast city dwellers...Most warmly recommended."--Der Spiegel (Germany)

“…A smoldering slow-burner.” — Spin